Skip to content
Pulse UK Magazine

Soft Cell's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond in Leeds in 1977

The talented musician, one half of the innovative 1980s electronic music duo Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the pair scored a worldwide hit with their version of Gloria Jones' Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a classic of synth-pop.

He later founded the innovative electronic act The Grid, who achieved chart success with 1994's Swamp Thing.

Ball died peacefully in his sleep at his residence in London on October 22, only a short time after performing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that performance, Ball appeared in a mobility chair, as he had for the last two years, after a period of ill-health.

"I ended up damage myself quite a bit," he commented in a recent interview. "I fractured lower vertebrae in my spine and cracked about five ribs and broke my wrist."

Following contracting pneumonia and suffering from sepsis, he was put in an medically-induced sleep and stayed in the hospital for half a year.

Nevertheless, he had been in "high spirits mentally" during the warmer months, as he was developing a new album with Almond, called the upcoming Danceteria, which is set for publication in the coming year.

"He was focused and very pleased with the new album that we literally finished only a short time ago," said the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting year for him, and I take some solace from the fact that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the early 1980s

Heartfelt Messages

Almond described his bandmate as "a wonderfully brilliant musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an significant aspect of my life and for the songs you created with me. I wouldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".

"Forming a partnership with someone is distinct from joining a group, the connection is very tight," he added.
"That was the case with us. We experienced so many extraordinary, extraordinary, memorable experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Formative Years

Brought into the world into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half old.

He was raised in Blackpool with his new family his caregivers, who altered his first name from his birth name to his adopted name, together with his younger sister Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both learning art. Fuelled by a shared love of Northern Soul, they formed Soft Cell the same year, and quickly produced an extended play.

Musical Partnership

The pair were an unusual pairing: Ball was the reserved technician, hunched over his synthesizer, while Almond was a flamboyant showman, all sparkle and eye-liner; but they attained a rare musical alchemy.

Ball had developed a fascination with electronic instruments after viewing Kraftwerk perform on a television program a popular series, and began to marry dark electronica to the soaring melodies Almond was composing.

Their signature song became the UK's second most popular song of the early 80s, shifting millions of copies globally. Alongside hits by other artists, contemporary bands and Ultravox, it contributed to paved the way for the electronic music style of the 1980s.

The song was also featured on their full-length debut, their initial LP, which spawned two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The duo were developing new material right up until Ball's death

Career Highlights

Fame had its benefits. "I loved being able to purchase my first home, having financial security and exploring, which makes me sound like a beauty queen," Ball recently told with a music magazine.

But it also presented problems. "Newfound wealth meant we could purchase newfound drugs to relieve the monotony" of media interviews and television shows, Ball said.

"I know that's a cliché, but it's a truism for a good reason, because it works for so many bands."

During the party-filled existence, the duo were also drifting apart, but they managed to create a follow-up classic album - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They released another LP, their 1984 release This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond proceeded to have a prosperous individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the charting record Cruelty Without Beauty.

Following a further hiatus, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a farewell show at the large venue on 30 September, 2018.

Yet, they remained together, recording their fifth album, Happiness Not Included, during the 2020 restrictions.

Ball recently characterized the duo's new album as a homage to the New York club scene they frequented while making their first two albums.

He added that his time in medical care had shaped the group's music.

"I had unusual memories when I was coming and going of the hospital because I was on pain medication," he explained to a publication.
"The new songs are a electronic representation of the sounds in my head from those days.
"Simultaneously, it's about the times me and Marc had in the 1980s."

The last versions were finished only days before Ball passed away. It is due for release in Spring 2026.

By

Jenna Li

A seasoned journalist with over a decade of experience covering UK politics and social affairs, known for insightful commentary and in-depth reporting.

Pulse UK Magazine

Type to search articles.